In the spring of Dan decided to liquidate the Mandolin Pages and distribute them in various locations on the web. The Vintage Gibson guide was made possible in part by Maxwell McCollough who provided the beautiful photographs you see in the A-Model guide. Information from George Gruhn and Walter Carter is used throughout the guide. This guide is intended as a starting point in a search for a Gibson A-model mandolin from the years Brief Historical Notes The Gibson Company went through several stages of model design for their mandolins in the last years. The early prototype models were hand-built by Orville Gibson himself, and are very thick and chunky looking as evidenced in this photo of his workshop with many of the earliest A and F model mandolins made hanging on the wall photo used with permission of the Gibson company. The basic “A” and “F” model shapes were developed around the turn of the century, and have become the basis for most serious imitators since. Regular production began in the early years of the ‘s, and continued unbroken until the WWII years, and again afterwards up to the modern times. The most generally trustworthy vintage Gibsons fall into the years, when the instrument was popular and many were produced.
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The condition of this high end instrument is excellent plus and this guitar is simply wonderful. Only the highest grade woods used as you can see This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too.
With room-filling projection, the CY is a guaranteed conversation starter.
The banjo was one such gadget. With a body made from a gourd, the banjo was first reported in by the captain of a ship on the Gambia River. Structurally, the banjo is very similar to a drum, with an animal skin stretched over a ://
Holmes Notes and Comments: This is a work in progress and there is much left to do see below. Any suggestions, additions, or comments will be gratefully received. The purpose of this is to update and augment bibliographic work done by Clayton , Linn , Conway , and others. It is not intended to replace the references lists included in those works and does not include all references in those works. The Scope of these references covers primarily the 5-string banjo, its history and development, its players, and the musical contexts in which it was played from earliest times up to the beginnings of bluegrass style.
Bluegrass music is by this time an overwhelmingly large subject and should be the topic of studies by those more knowledgable and interested in it than I. This scope is defined contextually rather than temporally: Some technical material, particularly by Siminoff, that is of primary interest to bluegrass music has been included since no convenient way to divide this subject up could be devised.
What should be here that isn’t yet: A canvas should be made of all issues of Pickin’ magazine and the first year of Frets magazine should be made. I did not have access to these materials. A canvas of the Banjo Newsletter should be made.
Is My Image a Cabinet Card?
Dating of Vintage Gibson Banjos The dating of vintage Gibson banjos has long been a subject of debate and contention. In contrast to other makers such as C. Martin and Company, Gibson’s prewar and wartime numbering system is extremely convoluted and often counterintuitive.
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However, considering the multitude of different cultures that exist on our planet, its not surprising that mankind has also managed to come up with some pretty unusual musical instruments over the course of history. The Pikasso took two years to build, has four necks and 42 strings in total and you probably need more than two hands to play it: Manfred Schweda , Thisfabtrek. Pikasso Guitar; right image: The small sound box at the bottom of the instrument is covered with The brass heads are struck with padded sticks to create the desired sound and tone: The clavichord was almost forgotten by , but enjoyed a revival among enthusiasts at the beginning of the twentieth century: The pipes are not blown into like the Scottish version, but instead the right elbow operates bellows, which pumps up a bag at your left elbow.
The bombard is apparently very loud and requires so much breath to play, that the player needs a rest after as little as ten seconds: Instruments of this type were known in ancient China, but the Spanish first introduced the ocarina into Europe after their conquests in Central and South America in the sixteenth century. It became known as a toy instrument for children, only capable of playing a few notes, until the modern version of the ocarina was developed in Italy in the mid-nineteenth century: It developed from the smaller Sanshin, the body of which is covered in python skin, which originates from Okinawa and the Ryukyu Islands.
American Junior Tenor Banjo, Gibson Incorporated, Kalamazoo, Style TB-JR
Drums with strings stretched over them can be traced throughout the Far East, the Middle East and Africa almost from the beginning. They can be played like the banjo, bowed or plucked like a harp depending on their development. These instruments were spread, in “modern” times, to Europe through the Arab conquest of Spain, and the Ottoman conquest of the Balkans. The banjo, as we can begin to recognize it, was made by African slaves based on instruments that were indigenous to their parts of Africa.
These early “banjos” were spread to the colonies of those countries engaged in the slave trade.
I am a guitar player struck with “banjo envy” but realized that the art of banjo playing takes a lot of practice and time. Hence, talking to banjo experts, I was surprised and pleased to learn of “6 string” banjos tuned just like a s:
Also here’s a video of me trying my first song to give you an idea of the sound. I have many years of guitar experience but only 2 days of banjo so don’t expect wonders, I know that I need to use my thumb: I know as much as this is a damn fine banjo and now probably the most valuable single thing in my home but I am confused about the history of the instrument. From what I have researched it seems that Gibson did not build Bella Voce models as early as , general production started TB 3 is a totally different model altogether and is a tenor banjo.
Does this mean that parts of this banjo are from a TB 3 and some are from a Bella Voce? How would you do that? Also, I would like to know if there is a way to tell which parts of the carvings, painting and inlays are original and which were added or modified by Bob Flesher. He seems to be a very accomplished banjo builder, at least the banjos on his website look fantastic, so I guess he knows what he’s doing.
To my untrained eye the banjo seems to be in pretty good shape considering the age. What do you think such a banjo could be worth? Got my dad’s Gibson Bella Voce. Don’t know much about banjos, maybe you do.
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This evening, Emmerdale will focus on Adam’s sentencing as he prepares to go down for Emma’s murder. Adam Adam Thomas is trying to do the right thing after pleading guilty to manslaughter – knowing that if he doesn’t, mum Moira could be the one facing life behind bars. This evening, Adam is shocked when his solicitor tells him that he could be facing six to ten years in prison.
The Vega name has been part of banjo history since the late ’s. Deering has owned the trademark since and taken into the 21st century with the advantages of modern technology but with careful attention to the historical base producing powerful, folk and early style banjos that are as .
This is from the new limited run of Brazilian R9s from Gibson. The guitar has a great top and weight – it only weighs 8. This impressive guitar incorporates modern enhancements like an ABR-1 bridge with titanium saddles, and a hand-wired MTC control assembly paired to our MHS P pickups with hum-canceling capabilities. This is from the new limited run of Brazilian R9s — and the lefties are even more rare, with only a handful made.
The Brazilian R9 Les Pauls have been among the most collectable of modern-era guitars. This guitar has a nice weight at well under 9 lbs: The neck has a comfortable 59 profile: This was used as a reference color guitar over the years, and has never left the Memphis factory since until now. This was a limited release guitar from The new Gibson ES in a Sunset Burst finish is designed with historic hollow-body features at heart.
The plastic is still on the black pickguard. With an estimated 40 to 50 left-handed instruments built up to the late ‘s, the Duo-Jet is an extremely rare model in factory left-handed, and even more rare when considering it is a lefty Golden Era single-cut Duo-Jet!
The only force powerful enough to stop their progress was the bombing of Pearl Harbor on December 7, According to history, all makers dropped what they were doing to join the war time effort. Epiphone had suspended their guitar production to make aileron parts for aircraft.
The back of its maple resonator is pearloid covered and has a large four-point pastel-color flower whose petals are dark cherry sunburst, with some flourishes between the petals, and this is bordered in yellow with a black fluted border similar to a wreath. The top and back edges of the resonator are bound in yellow celluloid. There is some green oxidation on around half of the brass ring that sits under the apparently original skin head; there is a small amount of rust indicated on the single full coordinator rod inside the instrument which is accompanied by a stump with a cap.
This banjo was made during a relatively brief window of time in which it could be ordered with a bell-shaped truss cover made of aluminum! This instrument shows normal signs of use and wear including scuffs on the headstock and elsewhere, nicks, scratches and dings. The case appears to be original — lined in green fabric, but the case pocket is a bit loose. In the interests of full disclosure we are advising that this banjo does show a bow in the neck — not enough to affect playability – it plays just fine as a tenor banjo — and we need to point out that the truss rod turns but does not seem to affect the straightness of the neck.
Identifying Antique Golden Age Banjos
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Another resource for IDing and dating guitars is Gibson’s computer database, which catalogues scores of serial numbers from on through the present. “It doesn’t always date the guitar,” says Davidson.
January 20, , As you can see, it could mean many things depending on the manufacturer. Alembic The first 2 numbers of the serial number correspond to the year it was built. There may also be present a letter code designating a certain model. The latter digits indicate the individual instrument and its place in production. American Archtops The digits after the dash in the serial number are the year that the guitar was made in.
Tom Anderson The neck plate of each guitar has the date it was completed along with the letters A,N or P which stands for a. Arpeggio Korina The first 2 numbers they will have a space between them are the year of manufacture, then a 0, then the production number for that year. Benedetto Benedetto archtops have a 4 or 5 digit serial number.. Brandt The year is on the label inside of the guitar – you can also use a mirror to read the inside of the top of the guitar which is signed and dated Breedlove On the label, inside of the guitar – the first two numbers of the serial number is the year the instrument was made.
Buscarino The last two digits of the serial number is the year in which the guitar was made in. Campellone The first three digits of the serial number are the sequence of production – the next two are the month – the last two are the year in which the guitar was made.
S. S. Stewart/Gibson guitars? Also Elderly’s.
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For example, if the banjo was an RB and there was a 10 after the dash, that would mean that that particular banjo was the 10th RB built. SO, an RB with the serial number, , would be a year model, built in February and it was the 10th one built that year.
Directed to the financial institution that claims to offer over 39, new members. Some photos of my banjo are located on my BHO homepage Thanks! This number indicates which banjo in that batch, that particular model is. While there were several new model introductions after that period such as the styles , , and , there is a wonderful story in changes made during those first 20 Golden Years. Your computer screen while trying to come to terms. For example, if the banjo was an RB and there was a 10 after the dash, that would mean that that particular banjo was the 10th RB built.